Feynman by Ottaviani & Myrick
A biography of Dr. Richard Feynman, in comic book form. When it comes to the quirky anecdotes of Feynman's life, his autobiographies are probably better, but this is still a fun read, and a must for Feynman fans. Plus, an explanation of quantum electrodynamics in comics form. Recommended.The Human Dilemma by Herbert N. Woodward
HNW was my grandfather. Alas, I never got around to reading this book before his death. Written in the 1960s, it's a study of human population problems, and how space colonization is one outlet which may preserve the human race in the face of looming global catastrophe. From forty years later, when we can see the population curve slowing down, and know Malthus was wrong, the book seems a bit misguided and naive, but it's still an interesting broad overview of the human condition in the past and future. Recommended.Analog 1 and 2, edited by John Campbell
These are two 1960s collections of stories from Analog Science Fiction & Science Fact. They are mostly the stories Campbell could get cheap, meaning that I don't recognize most of the authors. They range from Thomas' Rashomon-like "The Weather Man", to the charming Amish-Muslim colony world tale "Blind Man's Lantern" by Lang, to the startlingly inappropriate "Good Indian" by Reynolds (in which getting some Seminoles stinking drunk is regarded as a clever and appropriate solution), to the arguably non-SF "Junior Achievement", to the clever "Monument" by Biggle. Some good stories, some bad, and there are better anthologies out there. Not especially recommended.First Contacts: The Essential Murray Leinster
Oddly enough, one of the stories in this collection contains the same premise as Dickson's "Sleight Of Wit" from Analog 1. If first contact is made in deep space, can either ship trust the aliens with the location of their homeworld? With the existence of one's race on the line, is any reaction apart from murderous paranoia appropriate? And what's the solution? Both stories suggest the same thing: The solution is to trade spaceships, so that both sides have the same info. (I'm dubious, myself.)Anyway, Leinster was a fine short story writer, working both in the very traditional adventure mode (such as in "Sideways In Time", in which alternate universes start mixing in 1930s America), or a more quirky style ("Sam, This Is You", in which a telephone repairman starts getting calls from his future). Recommended.